Calidris Controversy: People Safaris

Tourists visiting a San community.

Imagine, for a moment, if every morning at 11:00, your doorbell rang and 20 strangers stood on your doorstep. As you welcomed them, they would troop through your home, peering at everything from photos to furniture, asking questions about your family and living, what you eat for breakfast, your clothes, your hairstyle, your bathroom habits. They might poke around in your possessions or want to hold your baby. They might express incredulity or disgust at your cultural practices. Later, you would be expected to demonstrate how you do your laundry or apply make-up. Most of all, they would want to photograph you in every imaginable setting, including with them draping an arm over your shoulders. You smile through all this because you don’t have a lot of money and you know these strangers do, and you hope that at the end of all this, you can sell them one of the paper airplanes you fold in the evenings.

On a trip to Thailand earlier this year, we sailed off on a three-day small-ship cruise in the Andaman Sea. The first morning, the captain informed us that we’d be using the Zodiac to head ashore and visit a village of the Moken, sometimes called the “sea gypsies.” My companion and I discussed it and decided we did not want to participate, and I told the captain we’d be staying aboard. He seemed offended and demanded to know why. In the moment, all I could come up with was “We prefer not to.” As paying customers, I don’t think we really owed him any further explanation, but later, as we watched the others pile into the dinghy for the transfer to the island, I mused over my resistance to the excursion.

Wildlife and birding safaris are a thrilling blend of excitement—you never know exactly what you’ll see—stalking, waiting, patience, and photography. But “people safaris,” trips to “authentic” spaces where people really live their lives and are willing to sell their privacy for the entertainment of tourists, are a different kettle of fish.

The Web abounds with awkward snappies of grinning tourists posing next to locals who look anything but happy about the situation. While I’m interested in how other cultures live, I respect indigenous people too much to want to invade their homes, gawk at their families and customs, and buy cheap facsimiles of traditional crafts.

The staging of stale tourist-focused demonstrations of artisanal techniques that once might have defined an entire family’s identity and standing in the community disturbs me. A craftsperson is meant to create, to challenge her skills by practicing her craft, not mindlessly repeat the same dumbed-down routine over and over each time a boatload or busload of foreigners shows up.

Almost invariably in these “cultural tours,” the visitors are “given the opportunity to buy” locally made products, racks of poor-quality carvings, beaded keychains, baskets, or painted clay knickknacks that are churned out somewhere and designed to fit a price-point attractive to tourist wallets. While the sellers may not be allowed to apply real sales pressure, there is an unspoken expectation: the items are cheap for a “wealthy foreigner” like yourself, the sellers are indisputably poor, you’ve presumed upon their community and their hospitality, the least you can do is buy some souvenirs, right?

Except that I’ve made a conscious decision to avoid buying useless stuff. Gone are the days when I filled my suitcase with doo-dads and cheap gifts for family and friends. I walk through the Salvation Army thrift store aisles lined with crude Somalian carvings of giraffes, crappy toy musical instruments from Guatemala, and shabby embroidered placemats from Thailand, and I know I’m not the only one who is rejecting this flotsam.

I also don’t see this kind of relationship with the displaced as sustainable in the long term. Will the grandchildren of these people still be selling tourist junk and staging demos of traditional medicinal practices in order to scrape by financially? I sincerely hope not.

Maybe I’m wrong and maybe these human zoos are a good way to bring much-needed cash into subsistence-level communities. If people choose to do this because they can earn money at it, I certainly cannot say they shouldn’t do it, but I don’t feel comfortable being on the receiving end. Since we, the tourists, come and go as we please, and we have all the money, there’s a power imbalance and a whiff of colonialism that makes me very uneasy.

How do you feel about “people safaris”? Have you experienced one? Did you enjoy it?

Vingerklip Lodge

The road to Vingerklip.

During my years of travel, I’ve stayed in hundreds of hotels, motels, lodges, inns, and b&bs, from an elephant stable in South Africa to a monastery in Trinidad. Most were completely forgettable; comfortable to a greater or lesser degree, but nondescript. Some I remember because of the bloodstains on the wall, the dead rat in the hallway, the bullet holes in the door, or the bed that collapsed under me as I slept. Ah, the “adventurous” side of travel!

Then there are the ones that leap to mind as soon as I reminisce about the highlights of past journeys—like the Vingerklip Lodge in the Ugab Valley of northwest Namibia, where we paused on our way from Etosha National Park to the coastal town of Swakopmund. We had spent a week in the park on safari, and while we hadn’t exactly been roughing it there, we were looking for a few plush and easy days of rest.

The lodge is named for the nearby Vingerklip rock “finger” that towers above the surrounding flatlands. You can hike to the bottom (if you want to brave the blistering heat), but other than that, there’s not a lot to do in the immediate area; no impressive herds of wildlife, no manmade entertainment. It’s really in the middle of nowhere. No, my enjoyment had nothing to do with outside activities and everything to do with the lodge itself.

One of the pools set into the hillside.

Set in a stunning location surrounded by rock plateaus and formations, the lodge features lovely arid gardens with many inviting nooks and crannies where you can sit and relax. Swing seats, loungers, chairs, umbrellas, tables, and benches are scattered around the grounds. There is a hot tub and two pools, cleverly located one on each side of the hill, so that no matter the time of day, one pool always has shade. Birds, butterflies, and small lizards find their own corners to feed, rest, or sun themselves.

The lounge, bar, and restaurant are top-notch. As per the usual African lodge custom, meals are presented buffet-style, but the quality and variety staggers the mind, while the number of food attendants assures that you get exactly the cut of meat you prefer or a custom-prepared dish.

For a once-in-a-lifetime experience, book a meal at their Eagle’s Nest restaurant, perched on top of a nearby plateau—you hike a long path and clamber up a staircase to get to it. The climb and the view is spectacular, but not for people who are afraid of heights or can’t manage a lot of stairs! You can also just climb up for the view and not have dinner; it’s free. If you want dinner, be sure to book as early as possible; the restaurant is small, and popular among guests.

Our room was okay but could have used some refurbishing. The latch for the sliding door to the bathroom had the hook mounted on the wrong side of the door, while the toilet seat had two puncture marks that looked like something had sunk its fangs into it. (What bites toilet seats??? Quite a worrisome idea when you think about it….) On the up side, the room boasted a nice porch looking over the isolated landscape and a small, lightly used, waterhole.

Ruppell’s parrot (above) and rosy-faced lovebirds (below) visiting the drippy pipes outside our window.

In any case, as birders, we were prepared to overlook any minor flaws in the room in favour of its unique feature, one that I doubt ever showed up in a promo brochure. From the side of the porch, we looked onto a large water cistern. The tank itself was covered, but the pipes and faucets leaked and dripped. In a place surrounded by bone-dry desert, any source of water becomes a magnet for birds. We had an unbeatable view of the birds that arrived in flocks to drink, including the local specialty, Ruppell’s parrot, and the charming rosy-faced lovebirds.

At night, stargazing in the desert-clear air and comfortable temperatures was all the entertainment we needed.

Day visitors are also welcomed at Vingerklip Lodge; check out their website for more info.

Is there a special lodge, hotel, inn, or b&b you discovered while traveling that lingers in your memory? Let’s hear about it in a comment.

Vingerklip room with rock escarpment behind.

 

Calidris Compares: National Birds

Quetzal.

The recent debate in Canada about designating a national bird got me thinking about a couple of other “national birds” I’ve encountered.

Country: Guatemala

National bird: Resplendent quetzal

Without doubt, one of the most spectacular birds on Earth. With a metre-long tail cascading behind him, the male sports iridescent plumage on his head, back, and wings that shimmers from green to blue to gold, depending on the light, while his breast and belly are scarlet red.

The quetzal’s tail feathers were prized by the Aztecs and Maya, who viewed the bird as the god of the air and as an embodiment of goodness and light. Because it was long believed that the quetzal could not live in captivity, it was also seen as a symbol of liberty.

The quetzal is a celebrity who values its privacy; I once spent an entire day with a specialist guide in the mountains of Costa Rica, seeking the elusive bird. When we finally heard and then saw one magnificent male high in a tree, it was truly breathtaking. We enjoyed its company for a couple of minutes, then off it flew, trailing those fantastic tail feathers.

The quetzal must be the only bird on Earth to have a currency named after it: the Guatemalan quetzal (currently worth about 18 Canadian cents).

Reason for being named national bird: If being the flashiest feathered fellow in the forest wasn’t enough, there’s that historic association with freedom, always a popular theme in nationalism.

Clay-coloured robin.

Country: Costa Rica

National bird: Clay-coloured robin

The name gives you everything you need to know about the appearance of this bird: it looks very like our American robin, but with feathers the colour of dried mud. The Latin name is no better: Turdus grayi. Where the quetzal is resplendent, this robin is clay-coloured, with no markings. And where the Guatemalan symbol is scarce and hard to find, the Costa Rican bird—known as yigüirro to localsis ubiquitous, hopping around human habitation everywhere from city lawns and gardens to rural fields.

On a nature tour near the Arenal Volcano, I asked the guide why, with so many gorgeous birds to choose from, Costa Rica settled on the humble robin. I must admit, I half expected him to say, well, the quetzal was already taken. But his response, while slightly defensive in tone, as though he was weary of having to champion the drab and commonplace bird, was enlightening.

Firstly, the yigüirro has a lovely song (actually quite similar to the American robin’s, to my ear), which Ticos value more than brilliant plumage. That song is most typically heard at the start of the green season, which has led farmers to associate hearing it with the arrival of much-needed rains.

In addition, the clay-coloured robin is found everywhere in Costa Rica, is seen often by everyone, and is thus a better representative of the country as a whole than a bird with a limited range. Because it lives in close association with humans, the yigüirro has become a feature in Tico culture, appearing in folk songs, poems, and stories.

Two countries, two very different national birds. The quetzal is the Cher of the bird world, undeniably exotic, inimitable, and eye-catching, an obvious candidate for glorification. The clay-coloured robin is more like the guy at the hardware store who helps you find the right size of screw: affable, down to earth, getting the job done. Although I initially questioned the Costa Rican choice, I now feel that the clay-coloured robin is an apt symbol for the Ticos I observed: not flamboyant, but going about the business of day-to-day living with an unpretentious determination and a song in the heart.

What national birds do you know? Do you think they are good representatives of their countries? Let me know in a comment.

Resplendent Cher.

Clay-coloured hardware guy.

Knot Spots: July 15, 2017

Spotted: Centennial Pier, Port Alberni, BC

Okay, we knew that Port Alberni is a bit behind the times, but 1810?

It was windy and overcast on the afternoon of July 15, but that didn’t deter 286 historically minded folk from trying for a new Guinness World Record in the category of Most People Dressed in Regency Costume at an Event. Although they didn’t set a new record, the participants at the Port Alberni Jane Austen Festival had the pleasure of mingling with scores of other well-dressed gentlefolk, an opportunity that so seldom presents itself in these lamentably casual modern times.

 

Calidris Reads: James Michener

Reading and traveling are two of my favorite things, so it’s a joy to combine the two. Aside from being a voracious reader of travel guides, I also love to read novels written by authors from places that I visit, or set in those countries. In Calidris Reads, I will briefly introduce you to these books and provide my personal rating from 1 to 5 knots (Terrible to Must-read).

Read for Hawaii (circa 1990) & Texas (2015) (natch)

Hawaii

First sentence: “Millions upon millions of years ago, when the continents were already formed and the principal features of the earth had been decided, there existed, then as now, one aspect of the world that dwarfed all others.”

The first sentence pretty much sums up the first chapter of the book, which goes on for a long time about the geological and topographical history of the islands. If you’re impatient, skip it and go straight to chapter 2. You won’t miss anything. And it does get much better.

Texas

First sentence: “On a steamy November day in 1535 at the Mexican seaport of Vera Cruz, a sturdy boy led his mules to and from the shore where barges landed supplies from anchored cargo ships.”

I like sinking my teeth into a good epic and Michener’s novels make for serious long-term commitments. Two problems: 1/ each chapter usually focuses on new characters and you sometimes hate to leave the old ones behind 2/ I can never finish these books because they are so massive. Despite this, they do make great, painless introductions to the location featured. I now know much more about the history, geography, and cultural mix that make up the states of Hawaii & Texas.

I’ve been through a bunch of Michener’s books and you always know exactly what you’re getting: interesting but not usually riveting stories. If you’re traveling to these places, Michener makes a good read, but don’t get too attached to the characters and don’t stress about finishing these tomes.

Both books: 4 knots Recommended

Have you read any of Michener’s books? What did you think? Did you like them? Let me know in a comment.

 

 

 

Does anyone still know what philately is?

My beloved stamp album.

Sorting through some boxes in the basement the other day, I came across my old stamp collection from when I was a youngster. As I flipped through the pages and opened up bags and folders of envelopes, I was reminded of how much those little bits of paper taught me:

1/ There’s a great big world out there, full of places I had never heard of. Gabon. Sharjah. Surinam.

2/ Countries aren’t permanent. They can change. Bits of the world get taken over by other countries and disappear as countries. Sometimes they reemerge eventually. Monarchies that proudly displayed the king on their stamps experience revolutions and suddenly their postage shows images of presidents. Egypt. King Farouk. Nasser.

3/ A plebiscite is a thing where two countries both want the same piece of land, so they allow the people who live there to vote on which country they want to be part of. Schleswig-Holstein. 1920.

4/ The people in other countries don’t necessarily call their countries by the same names we do. Magyar. Deutschland. Norge.

5/ Other countries don’t use dollars. There are riyals, pounds, dinars, rupees, quetzals, pesos, and many other currencies.

Ethiopian stamps and postmarks from the first UN Security Council Meeting in Africa, 1972. Bought on a visit there in 1973.

6/ Other countries don’t necessarily write with the same alphabet as us. Greece. Ethiopia. Russia.

7/ Even in wartime—or maybe especially then—people send. Letters. Postcards.

8/ Mass-produced items are not necessarily all the same. You could have thousands of identical stamps and one that has a unique characteristic. A spot where the dye didn’t apply properly. The queen’s head upside down. The perforator failed to perforate.

9/ Hyperinflation is a thing where the value of money goes lower and lower, so people have to use more and more money to buy something. Bread. Milk. Stamps. One million marks. Lira.

10/ “Archival” storage is something that you use for things that you want to keep for a long, long time. Photos. Letters. Stamps.

I don’t remember how I first became interested in stamps; I think maybe an older relative gave me a small album with a few stamps. Stamp collecting was a common hobby, although I didn’t know any other children who collected.

My parents kept up ties to relatives in West Germany, DDR, and Denmark, so those were the countries I collected first. Of course, we also received mail from within Canada—in those days, pretty well everything that went through the mail had a stamp rather than the boring postal machine stickers and preprinted postage that eventually became common on commercial mail. There were occasionally stamps from Great Britain and the United States, often nabbed by my father from office mail. In my later childhood, he started to travel for his work as a supervising engineer, and I added Kuwait and Yemen to my collection.

Looking at stamps opened the way to discussions with my parents: my father spoke about seeing his father bringing home his weekly pay piled in a wheelbarrow during the time of German hyperinflation. My mother was drawn into talking about how the plebiscite held in Schleswig-Holstein affected her family, who lived right along the German-Danish border. We discussed the history of Danzig and how it existed as an autonomous state for a few years between the wars.

When I visited my uncle in Germany at the age of 12, I was overawed by his drawers full of albums with perfectly filed stamps. He had done a lot of traveling and always collected stamps from the places he toured. His gift of a packet of “doubles” inspired me to want to make my collection better. More comprehensive. Better organized. Better preserved.

A collection of Lebanese stamps, from a visit to that country in 1973.

I learned the proper word for stamp collecting early on. To paraphrase Wikipedia: The word philately is the English version of the French word philatélie, coined by Georges Herpin in 1864. He took the Greek root word phil(o), meaning “an attraction or affinity for something,” and ateleia, meaning “exempt from duties and taxes” to form philatelie” (with the introduction of postage stamps, receiving a letter was now free of charge, whereas before it was normal for postal charges to be paid by the letter’s recipient). I wonder, however, how many adults—let alone children—recognize the word today. Letters and postcards are becoming rare, and with them, those colorful, inspirational stamps. One of the big appeals of stamps was that they were everyday and exotic at the same time: the 10-pfennig stamp was ubiquitous in Germany, but a curiosity in Canada.

It’s sad that stamps are dying out as a common, practical, item. When you got a letter, you could tell just by looking at the stamp and postmark which country it came from. You knew that the paper you held in your hand actually traveled all the way from some distant place. We have replaced “snail mail” with emails, which all look the same, whether they come from Terrace or Timbuktu.

What has philately got to do with travel, the subject of this blog? Well, to this day, when I think of certain countries, the stamps that I pored over are the first things that spring to mind. When I think of Poland, I see the triangular stamps featuring beautiful horses that I loved so much. When Bhutan is mentioned, I remember the leopard stamp that I proudly pasted in my album.

I don’t know whether my passion for travel stems partly from the pleasure I found in collecting stamps from around the world, or whether I was born a wanderer and that drew me to the acquisition of stamps. Either way, those unassuming squares of gummed paper were travelers, just like me. I don’t think it’s a coincidence that I stashed my postal treasures in something called the Traveler Stamp Album.

The Traveler album inside. Note the pre-printed pictures of specific stamps. It was always a thrill to find the stamp that matched the picture and carefully mount it in place.

Does anyone you know collect stamps? Were you/are you a philatelist yourself? I’d be particularly interested to hear if you know a young person who collects stamps.

 

Nova Scotia Snapshot

Okay, let’s just get the quintessential Peggy’s Cove lighthouse shot done and dusted straight away, shall we?

This blog features my 25 favourite photos from a trip to Nova Scotia in September, 2016. This is not an attempt to represent the entire trip or the entire province in a few shots, just a selection of what I felt were the most interesting, photographically.

My grateful acknowledgement goes out to Geordie at Picture Perfect Tours for sharing some of the more interesting and out-of-the-way locations during our full-day tour with him.

Etosha National Park

Rush hour at Okaukuejo

A few months ago, I wrote about National Geographic and how it has influenced me over the years. I vividly remember seeing the NG special Etosha: Place of dry water back in 1980 and being enthralled by the scenes of wildlife congregating around the waterholes.

When we planned our second trip to Africa in 2012, I was drawn to the idea of spending time exploring Etosha National Park. My research indicated Namibia was a relatively safe and accessible country where we could drive around on our own—as long as we carried two spare tires and glass insurance. The Namibian roads are notorious for destroying tires and windshields. We flew into the capital of Windhoek, picked up a rental car, and motored north to the park’s eastern gate, Von Lindequist.

So the deal in Etosha, as in many African parks, is that you can self-drive the roads without a guide between daybreak and sunset. You cannot go off the roads, but you can stop anywhere it’s safe to do so in order to watch wildlife or take photos. Outside of the secure fenced camps and very occasional rest areas, you CANNOT—and this is the cardinal rule of independent safaris—you cannot get out of your car under any circumstances. You want to stretch your legs? Tough. You need to, um, relieve yourself? Better practice holding it in. Because if you’re caught outside your car, it’s immediate expulsion from the park and a hefty fine. Or you could be et by a lion. Your choice. Oh, and make sure you’re back at camp by sunset or it’s also a fine.

Rules notwithstanding, self-driving is an exciting and rewarding way to tour Etosha. It’s such a vast area (over 22,000 km2) that even with 200,000 annual visitors, you’re still going to have lots of space to yourself on any given day. Compare that with Yellowstone’s 9,000 km2 and 4 million visitors per year.

We spent six nights in the park, three of them in the wonderful Okaukuejo Camp. Often rated as the best waterhole viewing in all of Africa, Okaukuejo looks like nothing much if you arrive when the animals aren’t there. It’s just a big puddle with rocky banks, surrounded by a lot of dry, barren land. You wonder why you paid upwards of $300 per night to stay in a chalet overlooking the waterhole.

But that’s before the parade begins.

First, it might be a bevy of dainty springbok, nervously stepping between the stones before surrounding the water and drinking. Then, a mixed herd of zebra and wildebeest, larger and heavier in body, wade straight into the pool and plunge their faces in. From a distance, you can see an organized line of oryx with their sweeping sabre-like horns approaching single file. A rhino or two might join the crowd. Majestic giraffes spread improbably long legs wide apart so their heads will reach the water. An eagle swoops down to a landing and dips and lifts her beak until she has her fill. It’s busy but calm—until the elephants barge in. Nobody argues with the ellies; most accept that their time at the waterhole is done and move off along the commuter routes, faint game tracks sketched in the hard ground. The great grey beasts own the place as long as they choose to drink, blow, play, roll, and muck up the water.

When they finally wander away, it’s the dark of night. You’ve been watching all this from the balcony of your chalet and now realize that $300 was well spent. Then a lion roars somewhere nearby and you think what it would feel like to hear that sound if you were not safe in a chalet, but camping somewhere out in the open. The whole pride—several lionesses and a number of sub-adult cubs—emerge from their hiding place and pad to the bank, standing side by side to lap in synchronicity. A hyena skulks on the fringes, wary of the big cats. Finally, a large owl glides in without a sound.

This is Okaukuejo. But Okaukuejo is only the first among many waterholes in Etosha. Your days run something like this: wake early, grab some food for the road, be in your car and ready at the camp gate when it opens at dawn. Putter down the gravel and dirt roads at a walking speed, searching, scanning the bushes, grasses, trees, skies as you go. Rainbow-coloured birds like the lilac-breasted roller and the European bee-eater could be perched on any twig and wildlife roams freely through the open country, but in the dry season, you can simply park beside any waterhole and wait for the animals to come to you.

When the heat of the day makes sitting in a car unbearable, you head back to camp for some lunch and a siesta, or, at least some shade time.

Later in the afternoon, you hit the roads again for the last couple of hours before sunset (circa 6:00 or 6:30 pm). As the sun nears the horizon and you turn the car back towards camp, intending to make the evening curfew with time to spare, you will inevitably come across some amazing sight—like giraffes in a courtship dance, or a huge martial eagle perched on a fresh kill—that you simply must stop for, such that you end up squeaking through the closing gate a few minutes after the deadline.

Apres dinner, you can stroll down to the floodlit waterhole to watch the nightly show begin one more time—from behind the safety of a large fence.

To most North Americans, Etosha seems like a remote and difficult place. “Namibia? Where is that? And why are you going there? Oh, to visit a dry salt pan. Of course….” For me, however,  it was even more wondrous than the pictures I’d carried in my mind for over thirty years.

Watch my short video of Okaukuejo waterhole here.

Have you finally visited a place you dreamed about for years? Did it live up to your imagination or disappoint? Let me know in a comment.

Lilac-breasted roller

Okaukuejo waterhole

Sharing the water

That water looks mighty tempting. Now, how do I get my mouth down there?

Springbok rumble

 

 

 

Here Comes the Showboat!

As we roll into the beginning of summer, I’m once again reminded of how splendid is my own little corner of the world and how happy I am when I get a chance to spend part of the summer around here. This doesn’t mean I don’t travel, but sometimes I enjoy being a tourist in my own town with all its festivals, free events, and fascinating nooks.

The Kitsilano Showboat is a perfect example. Even though I was born near Vancouver, for many years, I had no idea where Kitsilano is. Growing up in the burbs of Port Moody, Kits was just not a place my family visited. I was in my 40s before I heard about the Showboat. They ran an ad looking for roving musicians who would stroll the nearby beaches and perform for the crowds there, with the idea of luring patrons to check out the free stage at the Showboat. The shameless exhibitionist in me jumped at the chance to go where buskers and other musicians are normally forbidden. Evenings that summer found my partner and I gussied up in 1890s costume, playing to the scantily clad throngs in thongs arrayed on the sand. Afterwards, we would head back to the Showboat to catch the show.

It’s s a classic Vancouver experience: park your keester on one of the amphitheatre’s tiered benches, look down to where the Mexican Dance Ensemble or the South Surrey Concert Band is playing its heart out for you, and then gaze past: first to the epic aquamarine dimensions of the Kitsilano Pool, which lies just behind the Showboat, next, to the waters of English Bay beyond that, criss-crossed by the white triangles of sailing dinghies and the wet-suited figures of stand-up paddleboarders, still farther to the skyline of West Vancouver, and finally to the stunning backdrop of the Coast Mountains. A little to the right of this world-class vista, rest your eyes on the white sand of Kitsilano Beach set against the skyscrapers of downtown Vancouver. Now add in a perfect summer-blue sky and some silver gulls soaring on the breeze, and you have a scene to inspire E.J. Hughes.

Discovering the Showboat was like finding out I had a long-lost great-auntie living in a Kitsilano heritage home. This auntie is a former vaudeville star, fabulously eccentric but always entertaining. You can visit her any night of the week, as long as it’s Monday, Wednesday, Friday, or Saturday. You never know whether she’s going to show up for dinner as a hula dancer, a kilted lassie, a saloon gal, or a cowgirl. She might come out playing a tuba or bring a troupe of tiny tots on stage to wave little Canadian flags. Even though she’s pushing 82, she’s still a spry old showgirl flaunting a bright new coat of turquoise paint each year.

Founded in 1935—back in the days when the average person was much more accustomed to entertaining themselves, their families, and their neighbours with homespun talent—the Showboat relies on volunteer performers to put on a show. From the kiddies of the Hi-Kicks Dance School to wanna-be rock gods, everyone gives it their best effort, and although the talents are not always professional-level, they are never boring.

There’s a concession nearby for snacks and drinks, or, for more up-scale nosh before or after the show, drop in at the beachside Boathouse Restaurant just around the corner. Best option of all might be a packed picnic dinner on a beach blanket among the driftwood of Kits Beach.

When the performance ends, meander along the promenade and enjoy the sunset.

Hamming it up on Kits Beach with my partner a few years back.

“See the Show Boat,
Will you go?
Let me take you to the show!”
Show Boat (the musical, 1927)

 

If you grew up in Vancouver, do you have any memories of the Kitsilano Showboat? Or do you remember a similar local talent outlet from your own home town? Let me know in a comment.

 

The Joy of Junk Mail

When I was a strange, reading-obsessed child, I would comb magazines from the library, looking for those tiny ads that promised to mail me something for free. “Ten Tips for Training Your Advanced Reining Horse.” “The Colorful Stamps of Gabon.” “Hinterland Who’s Who: The Beaver.”

All this information available for just the cost of a stamp! Who could resist? What did it matter if I hardly knew what a reining horse was, much less owned or trained a horse of any description? The material would arrive in the mail addressed to ME—very exciting for a seven-year-old. I would devour every word and carefully file the item away in my drawer.

As an adult, the appeal paled. After all, I got so much junk mail every day. Why in the world would I ask for more? For a while, you had to write away to be taken off mailing lists. (I suspect that such requests were actually received as carte blanche to treble the amount of junk sent. “Here’s a live one, Joe. Mark that address for extra deliveries.”)

Nowadays, everything is on the Web. The most obscure information available at the click of a mouse. It’s great for instant facts. But it can be too easy to go directly to the info you want. Sometimes you do require straight-up cold, hard data. But sometimes you want to drift, to sample. You want to dream.

After my father died suddenly, my mother was left a widow at 51. She was lost. My father had been the centre of her life, her children were grown. She was financially comfortable but did not know what to do with herself. One day, on impulse, she walked into a travel agency and picked up a pile of brochures. She and I pored over those brochures together. We talked about the places she could go. I remember she became quite enamoured with the idea of taking a round-the-world cruise. We talked about it for a while. And then she let the notion drop. I think it was the idea that she could do this if she wanted that helped her move forward. Instead of feeling that her life was over, she started to see that she had choices, and some of them might even be fun choices.

I recently found myself clicking on a Facebook ad for a region I have never visited. It was the promise of “Birdwatcher’s Paradise” that pulled me in. Once I was on the website—a nicely constructed one, I may add—I browsed a bit, mildly interested. Beyond the birds, it was the usual “we’ve got wineries, we’ve got charming accommodations, we’ve got golf, etc.” But what drew my attention like a magnet was that little button: “For maps, tour suggestions, and a 64-page vacation guide, click here.” Filling in my name and address took me straight back to the excitement of my reining horse days.

Yes, I know that somewhere in cyberspace, personal information collection software is gleefully adding me to its database. But I don’t care. When that thick envelope arrives in my community mailbox slot, I will hurry home, snuggle into a comfy chair, tear the envelope open, and browse the old-fashioned way. I will unfold the maps, flip through the glossy-paged booklet, and peruse the “special offers.” I will read through the suggested itineraries and trace their routes on the maps. I may turn down corners of pages that interest me or circle text that I want to remember.

The experience of being taken on a carefully planned journey through information, as you hold a booklet in your hands, cannot be replicated by a website. The travel booklet presents information in a crafted sequence. I understand that the sequence is all focused on getting me to commit emotionally before thinking about practicalities like cost. But knowing that, I can still sit back and enjoy the ride. Do your best, I think happily. Sell me, if you can. This could be my next vacation, so go ahead and tell me why it should be.

Because I’m a travel junkie, even when I’m on a trip, I scan the horizon for free travel literature. Staying in a birding lodge, for example, often yields thick, slick, bird tour promos filled with stunning photos. On our meanderings around Cape Breton last year, I happened across a 66-page book advertising the upcoming Celtic Colours Festival. Although we were too early to visit the festival that year, I carried the book home and found it a treasure trove of information and inspiration for a potential future visit. (I’m hoping to visit that festival next year.)

Just so you know, downloadable brochures don’t cut the same mustard. They can be useful, but are just second-class citizens in the travel world. Clicking through an e-book is not the same as turning tangible pages. You may be saving trees by reading an electronic version, but just think of all the viruses and malware that a download could be carrying. At least when I open my paper copy, I don’t suddenly get the sniffles or find that my hands are off-line until I pay a ransom to some hacker.

No, as long as there’s snail mail, I’ll keep looking forward to my free travel literature. Anyone for a cup of tea and a copy of The Visitor’s Guide to Amish Country?

Am I dating myself terribly by clinging to my hard-copy travel brochures? Given a choice, do you prefer downloadable info and websites, or something you can hold in your hands? Let me know your opinion in a comment.