Calidris Controversy: Carrying On

Is helping someone else with their carry-on showing common courtesy or merely enabling people who feel entitled?

A travel Facebook group I follow recently showed a post from a woman who said that if you can’t lift your own carry-on bag into the overhead bin on the airplane, you have no business bringing it on and you should check it. I’ve never seen such a flurry of vehement comments; dozens upon dozens within a couple of hours. Obviously something that a lot of people feel strongly about.

It wasn’t just the original rant that was interesting, but the associated tangents that popped up.

One person wrote that if you can’t lift your own bag, you should check it, and if you can’t afford to check it, you shouldn’t be traveling. That’s pretty harsh.

Then there was the woman who vented about people who use the space above her seat for their bag. How dare they? She stated smugly that if she finds the compartment above her seat full, and discovers that the bags don’t belong to people in that row, she will remove the bags to make room for her own.

Many years ago, I read an informative and amusing book titled something like Guerilla Flying. The first and crucial point that the book made was this: Your interests and those of the airlines are fundamentally at odds. You want to travel economically and comfortably. They want to make money, which means cramming as many bodies as they are allowed into the smallest space possible. In addition, they basically don’t care about your comfort; they know you often have no choice in whether or not to fly their airline, which is why they can get away with outrageous behaviour like physically assaulting customers while forcing them off the plane to accommodate “bumping” due to overbooking.

The issue of luggage is a case in point. In the good old days, checked bags were free. People were sensible and put heavy items in their checked bags. They put valuables and things they needed for their flight in their carry-on.

Then airlines began charging large fees for checked bags. Now people had strong motivation to try and “get by” with just carry-on. They began stuffing everything into their little bag. They began trying to sneak over-size and over-weight bags through as carry-on. The more carry-on there is, the more passengers must “compete” for bin space. I have been on more than one flight where I was one of the last passengers to board and, as a result, the bins were full. That was annoying and inconvenient to me, but I accepted it without complaint. When it comes to space on a plane, it’s a dog-eat-dog world and I had come out unlucky on those occasions.

If I had been the woman I mentioned earlier, I would have hauled someone else’s case out of the bin over my seat. But what would then prevent that person (or someone else) from hauling my bag out? There’s no law that says the bin above your seat belongs to you. Sure, it’s nice when you can have your bag near you, but if not, you take what you can get.

What I find ironic is how often these days the flight attendants end up begging for volunteers who will give up their carry-on and allow it to be loaded below. I can’t help but reflect that if the airlines didn’t charge for checked bags, more people would check their bags in the first place, and there wouldn’t be as much carry-on, avoiding the whole problem. Duh.

As for the issue of people not being able to lift their own bags, I’ve never seen anyone blatantly abusing the good will of others by demanding that they assist. Although I’m a woman neither particularly strong nor tall, I am still taller, stronger, and abler than some people. If I see someone struggling with their bag, I try to help. And I have been, on occasion, the beneficiary of similar assistance. I think it’s common courtesy, like holding the door for someone who is carrying packages. I have never seen anyone thus aided who did not show genuine gratitude.

One surprising thing that I picked up from the Facebook posting was that flight attendants are not supposed to help passengers lift their bags into the overhead bins. I had no idea—I always assumed this was part of their job. But apparently, it’s a worksafe issue. I’d be curious to know whether this is true, and if so, is it true across all airlines?

Do you have a pet peeve about carry-on? Are you a “try-to-get-by-with-only-carry-on” person or do you check a bag and take minimal baggage into the cabin? Let me know in a comment.

 

Ecuador for Lazy Birders

Andean Cock-of-the-Rock. We hope to see this funky dude on our trip–as long as it doesn’t take too much effort. Image source: neotropicalecuador.com

So, the Great Big Map of Ecuador is up on my kitchen wall, coloured dots marking destinations. After months of planning, the itinerary is finally in place. The central focus of this trip will be seeing and photographing as many birds as possible—within the constraints of a fairly leisurely and comfortable journey. Ecuador boasts over 1600 species of birds, so even without lengthy or steep hikes, extensive domestic travel, or rough locations, I figure we should tally a good number. Yes, even without visiting the Galapagos, which we decided had to wait for a future trip. Although the itinerary is built around birding, I hope to include dashes of local culture and points of interest.

After much research and dithering, I settled on flights from Vancouver to Quito via San Francisco and Panama City. The price was significantly better than one-stop flights (partly because I used points for the YVR to SFO leg), the departure and arrival times more convenient, and the total flight time not bad, considering the two stops. This plan also allowed me to build in a couple of nights in San Francisco to take in the sights and it falls within my winter travel imperative to avoid east-coast routes with their attendant risk of snowstorms and nightmare layovers.

My immediate goal upon arriving in Quito is to rest up and acclimatize to the altitude, so I’ve kept the first few days simple and quiet: three nights in the San Jorge Eco-lodge and Botanical Reserve just outside the city. We’ll spend those days checking out the bird feeders and walking their private trails and probably not much else.

The San Jorge group of lodges form what their promo likes to call “The Magic Birding & Photography Circuit.” It’s a smart idea: offer travellers a variety of lodges located in different bioclimatic zones (read: more species) with comfortable accommodations that cater specifically to birders and other nature nuts. I admit, I fell for it and ended up booking three of their properties, starting in Quito.

Just before the weekend, we’ll head off for one of Ecuador’s must-do’s, the Saturday artisan market at Otavalo, staying two nights at the Hostal Doña Esther. If time permits, we’ll try for the Parque Condor bird of prey centre housing rescued raptors.

Next, back to the “Magic Birding Circuit” for three nights at the San Jorge de Tandayapa Eco-lodge and three at San Jorge de Milpe. Both lodges promise comfy rooms, good food, and features such as feeders, birding trails, ponds, and waterfalls. All of the San Jorge lodges offer packages with guides included, but I opted for bed and board only, preferring to explore independently.

Two nights in Quito will provide a short break from the birding lodges, although a planned tour to nearby Antisanilla Reserve should yield some sightings, including Andean Condor nesting sites (fingers crossed). We’ll try to squeeze in some time at the Museo Etnohistorico de Artesanias del Ecuador Mindalae (Whew! That’s a mouthful.), which happens to be located just around the corner from our snooze site, Hostal de la Rabida.

Heading east through the Andes, we’ll spend three nights at the Wildsumaco Lodge poised between the mountains and the lowlands. On the first morning, I’ve booked a half-day of guiding for an introduction to the area and its creatures.

Sacha Lodge. Image source: sachalodge.com

Then it’s down to the town of Coca to connect with our small boat up the Napa River to Sacha Lodge, deep in the Amazonian rainforest. Visiting the Amazon jungle is on my bucket list, so I’m trying to keep my sky-high expectations under control. I hope we get the chance to visit the clay lick where hundreds of parrots gather to supplement their diets with healthful minerals.

We’ll fly back to Quito just in time for the week-long fiesta leading up to the holiday that celebrates the founding of the city. Music, street parties, and sightseeing in the Old Town should fill up our days and we’ll spend our nights at the Casa el Eden, recommended by a friend of a friend. Somewhere along the line, I’m sure we’ll find time to check out the chocolate, coffee, and helado (ice cream) shops.

Does this itinerary sound like fun or folly? Let me know what you think in a comment.

Quito mural. Image source: muralcomunitario.com

Rebel With Claws

MY road. Photo by Marian Buechert.

One of the greatest thrills of African safaris is that you never know what you’ll encounter. You could cruise for hours, seeing little but dirt and brush, until you’re hot, thirsty, discouraged, and anxious to find a bathroom. What keeps you going is knowing that an unforgettable sighting might lie just around the next bend. Literally.

It had been that kind of day in one of the more remote parts of Namibia’s Etosha National Park. Being at the height of an unusually dry season, many of the waterholes had dried up and wildlife was scarce. We had heard that there were rhinos in the area, but many miles of slow searching had failed to locate any. When the shadows lengthened in the late afternoon, we turned our car wheels toward camp.

As we drove around a corner, I could see a patch of shade thrown across the road ahead. Something was lying in the darkness, enjoying some relief from the desert sun.

“Leopard!” I whispered with intense excitement.

On our first trip to Africa, we had not seen a single leopard. My South African-born friends warned that the spotted cats were notoriously difficult to see, much more so than lions, which tend to laze around in large groups during the day, not paying much attention to vehicles and their ogling passengers. Leopards, on the other hand, are nocturnal, solitary, and usually wary of humans. On this, our second African safari, we had caught only two fleeting glimpses of leopards hidden in the tall grasses.

This fellow, however, was definitely not hiding.

Assuming he would disappear at any moment, we stopped the car a good distance away and I snapped shots with my telephoto lens. The big cat looked unperturbed and showed no sign of concern. He had no intention of moving from his cool spot unless absolutely necessary.

Well, he was in the middle of our road back to camp, where we would be given a serious lecture and possibly even a fine if we turned up after sunset, so we needed to get past him.

We did what one does in these situations: we inched the car forward, stopping every few feet to take increasingly close-up photos of the still-recumbent cat. I eventually had to switch to a shorter lens because he was simply too close for my telephoto.

It is important to remember that in order to photograph wildlife, one must have the window of the car rolled down. Also that leopards are lightning fast, incredibly agile, and completely lethal. The closer we approached, the more I pictured myself lying flat on the seat of the car, dodging the talon-swipes of a leopard plastered against the side of the car with his foreleg stretching in through that open window. But there was no question of shutting the window; I was in the throes of the shutter madness that grips photographers. MUST GET PERFECT PHOTO the imperative screamed somewhere deep in my dinosaur brain, ignoring the danger signals blaring from the more sensible lobes.

How dare you disturb my repose! Photo by Marian Buechert.

So we crawled closer, until the leopard finally, and with a clear look of being put out, sat up. That was it. He sat and stared at us from a couple of metres away. So much for being wary of humans. His gaze was calm. I looked at his golden eyes and wondered what it would be like to be dinner, knowing those eyes were the last thing you would ever see.

At least now there was room for us to squeeze past. As we did, he decided enough was enough and nonchalantly wandered to the side of the road. For a short distance, he and we kept pace and we could see how perfectly his colours and spots blended into the dry vegetation.

Then we left him in peace and moved on.

At dinner that evening, I proudly showed everyone the photos. The waiter, a native Namibian, was keenly interested. He said he had never seen a leopard before, as he came from a farming area where, presumably, the cats had been driven out long before.

Later, I asked a wildlife expert why “our” leopard had been so cooperative. Probably a young adult, a teenager, he guessed. Cocky and full of himself. Too young and stupid to fear anything yet.

So it was just my luck to run into the James Dean of the African bush. I’m glad we both came out of it alive.

 

Disdain. Photo by Marian Buechert.

The gaze of a hunter. Photo by Marian Buechert.

 

 

Calidris Compares: A Tale of Two Cities

London’s Tower Bridge. Photo by Marian Buechert.

I’m not really a city girl. I prefer natural spaces, quiet, and fresh air over crowds of people, noise, and bustle. But given that cities are hubs of transport, culture, and history, passing through them is nearly inevitable. Two cities that are always worth a stopover are The Big Apple and The Big Smoke. So how do they compare? Let’s take a look.

London New York
Shopping London wins on quaint, curious, and antique. Prices are prohibitively high on most things. New York wins on sheer quantity, diversity, and affordability.
Song Streets of London, Maybe It’s Because I’m a Londoner New York, New York, On the Town

 

Transit The Underground: Even well-dressed, apparently well-to-do Londoners take The Tube. The subway: Not so much.
Longest-running show The Mousetrap The Phantom of the Opera
Cabbies World famous for rigorous training & vast knowledge of the city. World famous for attitude and language.
Monarch’s residence Buckingham Palace Trump Tower
Live theatre Wow. Helen Mirren live on stage; what more do I need to say? Wow. Dustin Hoffman live on stage; what more do I need to say?
Local lingo #1 Rubbing: Something you experience in an ancient churchyard and which involves a granite headstone, a sheet of paper, and a stick of charcoal. Rubbing: Something you experience in an aging massage parlour and which involves a pillow, a sheet over the table, and a scantily clad person.
Policing Bobbies: Authority without guns. NYPD: Not so much.
Street signs Not so much. Clear & logical.
Local colour Pearly kings & queens dressed in button-encrusted duds. Times Square guy dressed in a diaper and cowboy hat.
Attitude Tourist opens a map and looks around. Local stops to ask if he can help. Tourist approaches information desk in giant department store and asks: “Excuse me, is there a restroom?” Local responds: “Why?”
Urban wildlife Pigeons & rats Pigeons & rats
Local lingo #2 Rubber: Something you use to erase mistakes. Rubber: Something you use to prevent mistakes.
Woman with a crown Queen Bess II Lady Liberty
Museums London all the way since three of the top museums in London—V&A, National Gallery, Museum of Natural History, all world-class—are all free. The Met suggested admission donation is $25, MoMa and the Guggenheim are a flat $25 each. Come on, NY, get with the program: museums need to be accessible and FREE.
Fine dining Forget it; you can’t afford it. Forget it; you can’t get in.

New York, from atop the Empire State Building. Photo by Marian Buechert.

NY or London: Do you have a favourite? Why? Let me know in a comment.

Tintern Abbey

Though absent long,
These forms of beauty have not been to me,
As is a landscape to a blind man’s eye:
But oft, in lonely rooms, and mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet
—Lines Composed a Few Miles Above Tintern Abbey
William Wordsworth, 1798

Perhaps it is the sign of a weak mind to be so influenced by a few lines of poetry written over 200 years ago that I felt I must see for myself what inspired Wordsworth. If so, then I am certainly guilty, for once I knew we would be in Wales, Tintern Abbey was on my list. I have gazed at photos of the site over the years, and the combination of the skeletal yet still-soaring stonework and the picturesque setting added to the feeling that this was a place I had to see someday.

I do love old cathedrals and churches, even though my interest is purely secular. A cathedral may have been intended as a tribute to God’s majesty, but to me, it is a symbol of humanity’s spirit, perseverance, ingenuity, and artistry.

All photos by Marian Buechert.

I planned our visit for an evening and the following morning, staying nearby in one of those pleasant inns that the Brits seem to specialize in. We arrived late in the day, just in time for the magic evening light, and although we couldn’t enter the abbey (it had closed for the day) we had the exterior of the site to explore by ourselves. It was intriguing to imagine the area buzzing with activity as it would have been during the abbey’s heyday.

As the shadows lengthened, we strolled across the nearby bridge and along a walking path that followed the river to where we could view the abbey from farther away. Without modern buildings or roads to ruin the illusion, the ruins probably looked much like they did when Wordsworth composed his lines.

In the morning, we revisited the site, poking around the interior this time. “Inside,” what was once flagstone floors is now a smooth carpet of manicured greenery across which the shadows of the pillars and arches etch patterns. With grass beneath your feet, stone rising around you, and the ceiling of blue sky, you feel as if you’re in a temple to nature.

Through the site, I wandered lonely as a cloud, when all at once I heard a single voice raised in song. I followed my ears around a corner and beheld a young woman, standing alone in the centre of the abbey’s great open nave, singing a beautiful melody in a language I didn’t understand. Along with everyone else on the site, I stood transfixed until she finished, when she immediately moved off and became just another visitor again.

I would have loved to do what she did and express my reverence with music, but I feared that it would be seen as mockery, so I remained silent. But inside, my heart was singing.

Are there historic sites that inspire reverence in you? Let me know in a comment.

Calidris Reads: Australia

Reading and traveling are two of my favorite things, so it’s a joy to combine the two. Aside from being a voracious reader of travel guides, I also love to read novels written by authors from places that I visit, or set in those countries. In Calidris Reads, I will briefly introduce you to these books and provide my personal rating from 1 to 5 knots (Terrible to Must-read).

In a Sunburned Country

Bill Bryson

5 knots Highly recommended

First sentence: “Flying into Australia, I realized with a sigh that I had forgotten again who their prime minister is.”

My first, and still favorite, Bryson. Literally laughed out loud reading this. His descriptions of the many and varied ways that Australia can kill you are priceless. “I was particularly attracted to all those things that might hurt me, which in an Australian context is practically everything. It really is the most extraordinarily lethal country.” All three of us traveling together read this book and we all loved it.

5 knots Highly recommended

A Fringe of Leaves

Patrick White

First sentence: “After the carriage drew away from the Circular Wharf Mr Stafford Merivale tapped the back of his wife’s hand and remarked that they had done their duty.”

Author Patrick White had already claimed the 1973 Nobel Prize in Literature (“for an epic and psychological narrative art, which has introduced a new continent into literature”) when this novel was published in 1976, but it’s generally regarded as one of his masterpieces.

Based loosely on the story of Eliza Fraser, who was shipwrecked off the eastern coast of Australia in 1836 and taken in (or taken prisoner, depending on whose version of the story you read) by Aboriginal people. Not an easy read, but compelling in a strange way. The heroine is strongly painted and White’s writing is intriguing.

4 knots Recommended

I couldn’t imagine two books more different than these. Hey, it’s a long flight to Australia. Why not read both; I can guarantee at least there won’t be any overlap!

Monteverde Hummingbird Gallery

One of the beauties at the Monteverde Hummingbird Gallery. Photo by Marian Buechert.

It’s hard to imagine anyone who isn’t enchanted by hummingbirds. With their tiny size, iridescent colours, and seemingly supersonic speed, they delight everyone from toddlers to hoary ancient birdwatchers.

Where I live, we get two—occasionally three—species. At the gallery and hummingbird garden located across from the entrance to the Monteverde National Park in Costa Rica, visitors can indulge in a dozen species that regularly feed there.

This is a place to revel in the sheer quantity and easy accessibility of hummers on view. They zip by, flashing shining hues of green, gold, blue, bronze, red, purple, and turquoise, so intent on their meal that they pay little mind to the hulking humans gawking at them. If you stand in their usual flight path, they will impatiently whiz by within an inch of your ear. If you position yourself beside a feeder and hold your hands over the perches, the birds will land on your fingers and proceed with their meal.

Violet sabrewing. Photo by Marian Buechert.

The largest hummingbird in Costa Rica (and the largest found outside South America), the violet sabrewing, is a common sight. At 15 cm (5.9 in) long, it dwarfs many of the other species such as the coppery-headed emerald, which is a diminutive 7.6 cm (3 in) in size. Yet size is no indicator of temperament, and the sabrewing is less combative than some of its relatives. The mountain violetear (formerly called the green violet-ear), for example, aggressively warns off others by flaring its purple ear feathers, something impossible to see without a camera to capture the action.

Mountain violetear showing his fancy ear-muffs. Photo by Marian Buechert.

I’ve mentioned before in this blog how I’m a wimpy birder, and it doesn’t get much easier than this: sitting in the shade on a comfy bench surrounded by multiple feeders that attract scores of bright and active birds, with the bonus of a café steps away where you can buy a cold drink or ice cream whenever the sweat beads on your upper lip. Oh yeah, this is the life. Pura vida, indeed.

When we visited four years ago, the garden was free, with donations gratefully accepted and an unspoken obligation to buy something from the café or gift shop. After poking around on the Web a bit, I see that they seem to be charging $5 admission fee now. Regardless, it is worth the money. We spent several hours watching the various feeders and trying to count the number of species present. And taking photos, of course. Lots and lots of photos.

Are you a hummingbird lover? Let me know in a comment?

Male purple-throated mountain gem. Photo by Marian Buechert.

Female purple-throated mountain gem. Photo by Marian Buechert.

The hummers at Monteverde are acclimatized to the close presence of humans.

Female green-crowned brilliant. Photo by Marian Buechert.

Mountain violetear. Photo by Marian Buechert.

Male green-crowned brilliant. Photo by Marian Buechert.

 

In Search of Folk Music: Cape Breton

A three-fiddler concert in The Barn. Image source: Tourism Nova Scotia www.novascotia.com

So you attend a traditional music concert in the heart of Cape Breton. It’s three fiddlers. First, Fiddler A plays a solo set. Then Fiddler B. Then Fiddler C. Next, A and B play a set together, then A and C, and finally B and C. Then—you guessed it—they all play a set together. What you have here is a two-hour concert of nothing but fiddle tunes. Vocals? Nada. Other instruments to break the fiddling monopoly? Nary a one. This makes some people happy as a Bluenoser in a dinghy full of cod. Others, not so much.

Let’s just say that Cape Breton and fiddle music are pretty much an old married couple, finishing each other’s sentences and smiling down benignly at the young whipper-snappers like guitars and songs with words. I asked a weathered-looking local if everyone on Cape Breton plays fiddle. After a moment’s serious thought—as if he was mentally toting up how many people he knew who didn’t bow the strings—he said, “Pretty much.”

The world’s largest fiddle, Sydney, NS.

My first clue that Cape Breton takes its fiddling seriously should have been the world’s largest fiddle that looms up 60 feet in the middle of Sydney. My second hint could have been my visit to the Celtic Music Centre in Judique, I was keen to take in the free noon-time “Celtic music” performance over a bite to eat. I settled in at a table and was treated to a half hour of…fiddle music.

Really good fiddle music, I hasten to add, because the calibre of playing is astonishing, which I guess is due in part to the fact that island babies seem to tuck fiddles under their chins about the same time they tuck thumbs in their mouths. When they start to walk, they add step-dancing to their skill set, which leads to an entire population that can play complex tunes while dancing around, tapping out rhythms with their feet. By the time a Cape Bretoner hits his or her teens, the bar has been raised so high that even the slouches by local standards are top-class by any other measure.

In addition, every fiddler on the island is related in some degree to a world-famous performer such as Natalie McMaster or Ashley MacIsaac, which means they are genetically programmed to make those strings sing.

Back to the three fiddlers: the best part of the evening for me was after the concert ended and they cleared the chairs away to make a dance floor. By now, it’s about 10:00 pm in The Barn (okay, it’s a barn purpose-built for shows—but it feels like a real barn—at the Normaway Inn in Margaree) on a bright, clear autumn night with a big moon outside. Those same three talented fiddlers sit down with a piano player and start playing for the ceilidh. Wow. Now those fiddle tunes start to make sense as they drive the dancing along with irresistible rhythms.

Despite all this wonderful instrumental music, being kind of a vocals person, what I really wanted to hear was songs, so two nights later, I headed off to the Doryman Pub in Cheticamp. The weather had turned to pissing rain and I arrived at the pub soaked from a hike in Cape Breton Highlands National Park. Hot food & drink served up with Le Groupe Lelievre was just what I needed to warm up and dry off. Playing a range of traditional and popular music in both French and English with strong harmonies and excellent backing, Le Groupe had couples out on the dance floor and audience members singing along. They even threw in a few instrumental tunes. The party atmosphere easily drew in locals and tourists alike. And I was relieved to see that the band included a variety of instruments with not one fiddle in sight.

Still, I’d be willing to bet that they all play fiddle as well.

Have you visited Cape Breton? I’d love to hear about the music you enjoyed there or on another trip.

Knot Spots: Princess Cruise Bait & Switch?

The promo.

Spotted: In a promo email

I’m on the email list for special deals from Princess Cruises. Yes, call me a cockeyed optimist, but aside from the allure of actually getting a “special deal,” I consider it my duty to keep on top of travel stuff like this on behalf of you, my faithful readers.

A few days ago, I received a message titled “Our thanks to you: exclusive Canadian fares.” Hmmm…well, at least the prices were expressed in Canadian dollars. Among the featured deals was this one:

The bait.

Okay, I thought, I’ll bite. $779 Cdn isn’t bad. I clicked. But instead of getting more info on this deal, I linked through to this:

The switch.

Whoa. Even for a princess, that’s a hefty price for 7 days of unlimited buffet food. For over $30,000, I must be buying the bludy glacier, eh? The odd part is that the name of cruise, itinerary, name of ship, and sailing date are all exactly the same. Only the price is different.

I subsequently tried the link several more times to make sure the first one wasn’t some kind of glitch, but no, I got the same result each time.

I sent Princess a message pointing out the problem like an über-responsible consumer would do. No acknowledgement, no response, no thank-you note from them.

So…was it the old bait and switch? Do they really think that discount-seeking cheapskates like me are potential purchasers of a $27,869 (plus a mere $7,000 in “additional fees”) cruise? Or was it just an idiotic error that they are too embarrassed to admit? Only Her Highness knows for sure.

Note: When I tried the link several days later, it was fixed. So someone somewhere said “Oops!”

The Getty Center

If you think Los Angeles symbolizes everything kitschy and facile, and serves only as hub for the cult of 15 minutes of fame, you haven’t visited the Getty Center. Who would have thought La-La Land could boast a world-class museum that impresses in so many ways?

First, there’s the gorgeous location, perched on a hill, overlooking LA one way and out toward the hills of Santa Monica the other way. One is so tempted to say it literally rises above the surrounding city, but I wouldn’t stoop to such a cliché.

Second, there’s the architecture and design. They’ve created an inspiring, welcoming space to relax outdoors in the courtyard, intriguing nooks and crannies between the buildings that frame the surrounding landscape, and galleries to rival any that I’ve seen.

Portrait study, 1818, Theodore Gericault

Third, there are wonderful tours to help you navigate and better appreciate the art. After many expeditions to many museums around the world, I know that it’s all too easy to get exhausted, lost, and numbed, stumbling around like a zombie, wanting to see everything and not seeing anything properly. You can get away with doing this for a quick visit, but if you’re there for the day, you need to find a way of focusing your attention and budgeting your energy. Tours are a great way to do this: someone else chooses the pieces to view, plots out the best course to navigate the galleries, and spoon-feeds you useful information. On our recent visit to the Getty, we did the Highlights of the Collection Tour, plus the Curator’s Tour of the special exhibition, “Eyewitness Views: Making History in 18th Century Europe.” This title might lead you to think the exhibition was a real yawner and pass it by; however, with the enthusiastic and knowledgeable guidance of the person who actually envisioned and put together the exhibition, it came alive as we gained real insight into commemorative paintings.

Last but not least, there is the art itself, representing a wide spectrum from paintings of all periods to sculpture, tapestries, illuminated manuscripts, furniture, photography, and decorative arts. The paintings of masters such as van Gogh, Manet, Rembrandt, Goya, Cezanne, and Fragonard are all included in the Getty collection. I wandered from gallery to gallery finding familiar works that I remembered from books and discovering new pieces that I will never forget.

The tapestry rooms literally took my breath away; I’ve seen tapestries on exhibit before, but never in rooms that are designed to emulate those in which the tapestries originally would have been hung and admired.

I was equally enraptured by a special exhibition titled “Illuminating Women in the Medieval World,” which explored how women’s roles in the Middle Ages are documented in the precisely detailed illustrations of illuminated manuscripts. The brilliant colours and shimmering gold leaf bring the Medieval world to life.

Peering in at a display of Sevres porcelain took me back to my university days and a research paper on Madame de Pompadour’s patronage of the ceramics manufacturer. It gave me a quiet little thrill to actually see some of the Sevres pieces from that period.

 

When your mind is saturated with great art and your feet are sore, take time to rest and refresh in the courtyard next to the water feature, where you can sip a cool drink and admire the architecture.

After a full day at the museum, I still had not seen the garden or the villa, and there were many unexplored galleries calling me back for future visits.

The icing on Mr. Getty’s cake is that his museum is free, such a rarity for anything in the U.S. (Thank you, J.P.) They do charge a parking fee, but that’s it. Which allows you to spend your money instead at one of the cafes or at the gift shop. Another perk is that you are allowed to photograph most of the art, so Snapchat away and share your favourites with all your “friends” who think you’re visiting the City of Angels for shallow pursuits like Rodeo Drive shopping and bus tours of celebrity homes:

Jeanne Kefer, 1885, Fernand Khnopff

“Adored this little girl i spotted at the Getty! Dont u just heart culture?! ”

Do you have a beloved museum or gallery? Have you visited the Getty? Share your thoughts in a comment.